The silent performance of Maria Diaz was, in fact, the loud message of Performance Art Festival: solution for social problems and political violence is in solidarity, action and protest.

The cultural education sector has not yet been defined or mapped, and it is impossible to precisely count the number of educational programs implemented in the field of culture.

"The most political thing you can do is just get someone to think", says filmaker and artist Deborah Stratman, jury member at the Festival of Experimental Film and Video 25FPS in Zagreb.

Important dimensions of future socio-cultural centers are cooperation opportunities between culture and different areas of civil society and improving the model of civil-public partnership.

On June 1st 2016 protests all over Croatia gathered more than 50 thousand citizens in support of the reform of the education system.

In Search of a New Sound : 1956-1984, Anthology of electroacoustic music from Croatia is a noteworthy piece of musical history by editor Višeslav Laboš.

Investigations against Krétakör Foundation correspond to a pattern and there is a substantial fear that the working conditions of CSOs will deteriorate further in the following years.

This essay is the “Preface” to An Oral History of Homosexuality in Croatia edited by Gordan Bosanac and Zvonimir Dobrović and published by Domino/Queer Zagreb.

This essay is the "Introduction" to An Oral History of Homosexuality in Croatia edited by Gordan Bosanac and Zvonimir Dobrović and published by Domino/Queer Zagreb.

The public library and its issues only occasionally find their way to the media space – the public sphere.

Morana Novosel’s staging of Thomas Bernhard's Eve of Retirement is a logical move, a natural step and an expected item on the repertoire.

This essay is one part autopoetic introduction to Hrvoje Hiršl's sound installation Nodes, and one part critique of a system that exploits artists' work.

A marvelous essay originaly published as a foreword to Bojan Gagić's sound installation Between Silences held in Museum of Contemporary Art in Zagreb.

In Lászlo Nemes’ Son of Saul the commonplaces of suffering are abandoned in favour of the experience of a man trying to retain a semblance of humanity in a dehumanized world.

Women in managing positions see their accomplishments mainly as the result of their work and the cultural sector as separated from others, as a domain of social life with no real power.