The silent performance of Maria Diaz was, in fact, the loud message of Performance Art Festival: solution for social problems and political violence is in solidarity, action and protest.
In Lászlo Nemes’ Son of Saul the commonplaces of suffering are abandoned in favour of the experience of a man trying to retain a semblance of humanity in a dehumanized world.
Women in managing positions see their accomplishments mainly as the result of their work and the cultural sector as separated from others, as a domain of social life with no real power.
BADco., Croatian Designers Association and the Upgrade! Platform organized a unique blend of exhibition and performance, entitled Intangible - Institutions need to be constructed.
In his book The Bourgeois, Franco Moretti offers an analysis of the development of the novel, positing it as the literary genre inseparable from the rise of the bourgeoisie.
The Chronotope of Croatian Performance Art is the first comprehensive overview of Croatian performance art in the period from the 1920s to the 2010 death of Tomislav Gotovac.